Poëzie

Poems to make your blood run cold. Poems to make your heart beat faster. Poems to sink your teeth into...

Three centuries of vampiric verse.

Seductively sinister, both frightening and alluring, the undead have always been the perfect vessel for humanity's fears and desires. The poems in this collection of dark delights range across centuries and languages; poems that tell stories, offer warnings, and imagine life in the shadows, by writers such as Lord Byron, Emily Dickinson, Charles Baudelaire, Anna Laetitia Barbauld, Ishmael Reed, and many more.

With an introduction by Claire Kohda, author of Woman, Eating.

Contents include:

Chilling Tales - poems by Gottfried August Burger, Johann Wolfgang von Goethe, Robert Southey, Anne Bannerman, John Stagg, Lord Byron, Samuel Taylor Coleridge, Alfred Lord Tennyson, Rafael Campo

Dire Warnings - poems by Heinrich August Ossenfelder, John Keats, Henry Thomas Liddell, James Clerk Maxwell, Charles Baudelaire, Christina Rossetti, Madison Julius Cawein, Rudyard Kipling, Conrad Aiken, Edna St Vincent Millay, James Weldon Johnson

The Vampire Within - poems by Anna Laetitia Barbauld, Emily Brontë, Emily Dickinson, Walter Pater, Delmira Agustini, William Butler Yeats, Ishmael Reed, Dorothy Barresi, John Yau

For fans of Rupi Kaur and Cleo Wade, this first collection of poetry from the viral TikTok poet Josie Balka, evokes themes of nostalgia, love, envy, and hope, speaking to the universal longings that live deep in our souls.

I've never seen anyone at a public pool with a memorable enough body, good or bad, that I think about it ever again.

If this line sounds familiar, it's because you've heard it in the background of thousands of videos on social media-a humbling reminder from poet and radio personality Josie Balka that what's important in our lives now isn't necessarily what's important to us in the long run.

I Hope You Remember, Josie's first book of poetry, includes this poem and over eighty others, some previously published and others never shared before. Every page in this collection hits home, rhapsodizing on universal experiences like jealousy, family relationships, complex body image, falling in and out of love (with others and yourself), and the everchanging lens of nostalgia. With sparse, clear prose, Josie's poetry looks to bring forth deep feelings like grief, envy, apathy, joy, and, most importantly, hope.

Evocative and full of force, these poems will hit you in the gut, pull your heartstrings, and make you long for moments past.

Ted Hughes's Birthday Letters are addressed, with just two exceptions, to Sylvia Plath, the American poet to whom he was married. They were written over a period of more than twenty-five years, the first a few years after her suicide in 1963, and represent Ted Hughes's only account of his relationship with Plath and of the psychological drama that led both to the writing of her greatest poems and to her death. The book became an instant bestseller on its publication in 1998 and won the Forward Prize for Poetry in the same year.

'To read [Birthday Letters] is to experience the psychic equivalent of "the bends". It takes you down to levels of pressure where the undertruths of sadness and endurance leave you gasping.' Seamus Heaney

'Even if it were possible to set aside its biographical value . . . its linguistic, technical and imaginative feats would guarantee its future. Hughes is one of the most important poets of the century and this is his greatest book.' Andrew Motion

De wereld staat in brand, tijd voor vrede. Charles Ducal schrijft geëngageerde en hoopvolle poëzie, die de kracht van het woord inzet als houvast in de onzekere wereld van vandaag.

WINNER OF THE 2021 PULITZER PRIZE IN POETRY

SHORTLISTED FOR THE FORWARD PRIZE FOR BEST COLLECTION
SHORTLISTED FOR THE T. S. ELIOT PRIZE
POETRY BOOK SOCIETY RECOMMENDATION

Postcolonial Love Poem is a thunderous river of a book, an anthem of desire against erasure. It demands that every body carried in its pages – bodies of language, land, suffering brothers, enemies and lovers – be touched and held. Here, the bodies of indigenous, Latinx, black and brown women are simultaneously the body politic and the body ecstatic, and portrayed with a glowing intimacy: the alphabet of a hand in the dark, the hips’ silvered percussion, a thigh’s red-gold geometry, the emerald tigers that leap in a throat. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dune fields and forests where pleasure and love are both grief and joy, violence and sensuality.

Natalie Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves. Her poetry questions what kind of future we might create, built from the choices we make now – how we might learn our own cures and ‘go where there is love’.