Poëzie

Ted Hughes's Birthday Letters are addressed, with just two exceptions, to Sylvia Plath, the American poet to whom he was married. They were written over a period of more than twenty-five years, the first a few years after her suicide in 1963, and represent Ted Hughes's only account of his relationship with Plath and of the psychological drama that led both to the writing of her greatest poems and to her death. The book became an instant bestseller on its publication in 1998 and won the Forward Prize for Poetry in the same year.

'To read [Birthday Letters] is to experience the psychic equivalent of "the bends". It takes you down to levels of pressure where the undertruths of sadness and endurance leave you gasping.' Seamus Heaney

'Even if it were possible to set aside its biographical value . . . its linguistic, technical and imaginative feats would guarantee its future. Hughes is one of the most important poets of the century and this is his greatest book.' Andrew Motion

De wereld staat in brand, tijd voor vrede. Charles Ducal schrijft geëngageerde en hoopvolle poëzie, die de kracht van het woord inzet als houvast in de onzekere wereld van vandaag.

WINNER OF THE 2021 PULITZER PRIZE IN POETRY

SHORTLISTED FOR THE FORWARD PRIZE FOR BEST COLLECTION
SHORTLISTED FOR THE T. S. ELIOT PRIZE
POETRY BOOK SOCIETY RECOMMENDATION

Postcolonial Love Poem is a thunderous river of a book, an anthem of desire against erasure. It demands that every body carried in its pages – bodies of language, land, suffering brothers, enemies and lovers – be touched and held. Here, the bodies of indigenous, Latinx, black and brown women are simultaneously the body politic and the body ecstatic, and portrayed with a glowing intimacy: the alphabet of a hand in the dark, the hips’ silvered percussion, a thigh’s red-gold geometry, the emerald tigers that leap in a throat. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dune fields and forests where pleasure and love are both grief and joy, violence and sensuality.

Natalie Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves. Her poetry questions what kind of future we might create, built from the choices we make now – how we might learn our own cures and ‘go where there is love’.

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain . . .

Published in 1922, The Waste Land was the most revolutionary poem of its time, offering a devastating vision of modern civilisation which has lost none of its power as we enter a new century.

Sylvia Plath was one of the defining voices of the twentieth century, and one of the most appealing: few other poets have introduced as many new readers to poetry. The poems in this fresh and inviting edition were chosen by Poet Laureate Carol Ann Duffy.

In my selection, which is roughly chronological to shadow her progress, I have tried to walk through the landscape of Sylvia Plath's poetry as though for the first time, fifty years older than I was when she died. In doing so I have experienced afresh the almost physical excitement I felt when I first read this bold, brilliant, brave poet who changed the world of poetry for us all. - Carol Ann Duffy

Who? Him. The Husband. Hero. Hunk.
The Boy Next Door. The Paramour. The Je t'adore.

Behind every famous man is a great woman – and from the quick-tongued Mrs Darwin to the lascivious Frau Freud, from the adoring Queen Kong to the long-suffering wife of the Devil himself, each one steps from her counterpart's shadow to tell her side of the story in this irresistible collection of feminist poems.

Original, subversive, full of imagination and quicksilver wit, The World's Wife is Poet Laureate Carol Ann Duffy at her beguiling best, reissued as part of the Picador Collection.